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‘The Man on Her Mind’ should have stayed on the stage

It is an extremely tricky business adapting a stage play to film. At best, you can recapture some of the immediacy and energy of the original theatrical production. At worst, it can feel clunky and, for lack of a better term, staged. Sadly, despite some interesting ideas and heartfelt performances, Alan Hruska’s adaptation of his own stage play is decidedly clunky. The spirit is willing, but the flesh (more specifically, the script) is weak.

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