Sarah Polley

Egoyan’s brilliant erotic thriller ‘Exotica’ looks desperation in the eye

Atom Egoyan’s serpentine erotic thriller, Exotica, is a flawless exercise in understated urgency. Flashbacks, arresting visuals, and Mychael Danna’s score slowly reveal a web of strangers inextricably linked by one man’s suffering. It’s less a cinematic puzzle than an organic realization. When all of the mysteries are unraveled, you know a little bit more about the Human condition. Though many consider The Sweet Hereafter to be Egoyan’s masterpiece, Exotica is fearless indie filmmaking at its best.

‘Stories We Tell’ more successful as an intellectual exercise than as heartfelt, familial emotion

How can a documentary ever satisfactorily tell us the truth? No matter what the topic of debate is, how can the filmmakers relay to us the supposed truth of a situation without any form of bias or creative control poking through? Hell, what is truth? Yes, such heady philosophical notions and questions are present in each moment of Sarah Polley’s newest film Stories We Tell, a documentary of sorts, in that it’s structured around real lives and real people.

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