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    Think ‘Deadpool’ Was Tim Miller’s First Superhero Project? Think Again

    With Deadpool’s frankly insane levels of success with fans and at the box office, director Tim Miller is already becoming a household name. But while Deadpool may be the first feature film Miller’s been at the helm of, this isn’t his first superhero-related project, something new-found fans are only just discovering. Cast your mind back to 2007, and you may remember […] More

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    ‘Spider-Man/Deadpool’ #1 is silly fun

    Spider-Man/Deadpool #1 is filled with jokes, sexual tension, gross out gags, and slightly self-aware supervillains galore all from the wacky mind palace of Deadpool legend (and basically daddy) Joe Kelly. Ed McGuinness and Mark Morales’ art is slick with a side of disgusting and helps the story move on at a bouncy pace. There may be an overreliance on bathroom humor due to this issue’s villain, but there’s also jokes about Uber’s labor practices and some great puns for folks whose eyebrows are glued on higher than the rest of us. Early on, there seems to be a gap between the Hydro Man battle and Deadpool accidentally teleporting him and Dormammu to Hell, but by the final page all his revealed along with the series’ hook. It’s another Deadpool redemption story, but this time with Spider-Man as his goofy guardian angel. But his path isn’t as simple as that last sentence. (Deadpool does have a handy morality choosing gadget that is McGuinness’ best visual funny.) More

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    The Unity Squad is back in ‘Uncanny Avengers’ #1

    All throughout the issue, readers are granted a great example of colors from Richard Isanove, and how they blend to make each character look distinct. Every member of the Team has colors that render them dynamic and lets them exude a personality all on their own. If this issue is anything to go by, the Uncanny Avengers will be in good hands under Gerry Duggan’s dialogue, character portrayals as well Ryan Stegman and the rest of the art team making the Unity Squad a team to look out for. More

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    50 Best Comic Book Movie Adaptations

    20. Story of Ricky (Lik wong) – Starring Siu-Wong Fan as the titular character, Riki Oh, based on a manga series which eventually became an anime, marks the end of an era of Japanese exploitation flicks, before the new generation of filmmakers such as Takashi Miike took over. Unlike Miike’s movies, or other recent entries such […] More

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    ‘Ultimatum’ is Fridging at its Finest

    In a sentence, Ultimatum is the superhero comic that will make you hate superhero comics and will have you reading nothing but Harvey Pekar, R. Crumb, and Daniel Clowes for the rest of your comics reading career. (My apologies to Fantagraphics.) Jeph Loeb really should have apologized to Mark Millar and Brian Michael Bendis for destroying their carefully crafted, simultaneously optimistic and nihilistic universe with all the skill of a child knocking over sand castles and then pulling its pants down to take a piss on the wretched ruins. More

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    Stay Away from ‘One More Day’

    For some reason, Marvel Comics has always treated Spider-Man a lot like the Knicks treated Patrick Ewing. In Spider-Man, Marvel has their most iconic and globally recognized property, yet they seem to do everything humaely possible to undermine the character’s appeal and success. At times, it almost appears that Marvel is content to surround the Spider-Man franchise with mediocrity and controversy. From trying to convince readers that Peter Parker was actually a clone and replacing him as Spider-Man with Ben Reilly, to turning him into a giant spider every 8 years or so, Marvel can’t help but fuck up the Spider-Man mythos every once and a while. There was that time Peter’s long-thought-dead parents returned, when in actuality they were robots programmed to kill him, there was also The Gathering of Five storyline where some kind of cultish gathering happens, but doesn’t really, and then there was Spider-Man: Chapter One, which is so bad that even DC pretends that it doesn’t exist. The one thing that all of these stories have in common is that they were released during the 1990s, or as comic book fans like to call it: “The Dark Years”. More

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    ‘Ultimate Marvel Team-Up’ #2-3 introduces Hulk in a fun, uneven way

    Ultimate Marvel Team-Up #2-3 succeeds on a superficial level with artists Phil Hester and Ande Parks showing the Hulk’s destructive, powerhouse nature compared to the spindly Spider-Man, who can only bait him or run away. (They do get points off for making Spidey’s webs looking like used bubble gum.) Writer Brian Michael Bendis also deserves credit for depicting Spider-Man simultaneous heroism and freaking out and ending the story with Peter Parker passed on the couch in front of the TV, like most people do after a hard day’s work. However, though still a disaster film worthy smashing machine courtesy of Hester, the Hulk is a one dimensional wrecking crew and could’ve easily been subbed in for the Abomination. More

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    Six Reasons to be Excited About All-New, All-Different Marvel

    While DC Comics attempts to play catch-up with their “Divergence” marketing campaign, highlighting new and more diverse status-quo switch-ups along with some #1 issues, Marvel Comics continues to kick ass with more awesome comic books. After Secret Wars, an epic event comic from Jonathan Hickman that changes up the continuity by mashing together the Ultimate and […] More

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    ‘Ultimate Marvel Team-Up’ #1- Matt Wagner’s Mutant Mayhem

    Ultimate Marvel Team-Up #1 introduces a more traditional version of Wolverine to the Ultimate Marvel Universe. He is gruff and violent, but actually wants to co-exist with humans and leave his dark past behind. In a later filler arc of Ultimate Spider-Man, Bendis would explore the comic potential of a Wolverine/Spider-Man team up, but he looks at the more serious implications of being a mutant in the Ultimate Universe while also making Spidey kind of geek out around him. Even if Sabretooth is a fur coat wearing punching bag and some of jokes don’t land, it is a rare privilege to see comics legend Matt Wagner put Spider-Man through his acrobatic paces and use the full comics page (or two) to its storytelling potential. More

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