More stories

  • in

    Full Metal Jacket and Dr. Strangelove: Kubrick’s War

    Stanley Kubrick’s voice as a director and writer was so singular, so fitfully honest. Every project seemed so richly influenced by him and the worlds he created. That world often floated somewhere between a cold brutal honesty and some kind of hyper reality that’s uniquely his own. More

  • in

    31 Days of Horror: Jump Scares, Twists & A Genre in Decline

    There’s a wonderfully maddening moment early on in Stanley Kubrick’s The Shining where Danny Torrance is perusing the corridors of the Overlook hotel on his tricycle. He swings round corners, the camera obsessively following him in a locked in third person perspective angle. The skin crawling score by Wendy Carlos and Rachel Elkind swells up […] More

  • in

    TIFF 2013: ‘The Last of Robin Hood’ is a heartbreaking Hollywood tale of first and last love

    The Last of Robin Hood depicts the last romance of Errol Flynn’s life from the not-so-tender age of 48 until his death. Who was the lucky girl? Beverly Aadland. One person’s definition of luck is most people’s definition of statutory rape—something that Flynn had some trouble with before—as Miss Aadland was under 18 at the time. This is the crux of the conundrum behind this story and what would regularly confound a filmmaker in bringing it to the screen—even Vladimir Nabokov’s Lolita screenplay was rejected and reworked by Stanley Kubrick. Fortunately for the audience, Richard Glatzer and Wash Westmoreland are no regular filmmakers (see Grief, The Fluffer, Quinceanera). They have written and directed a film about three protagonists (Beverly Aadland, her mother Florence, and Errol Flynn) with a vague outward antagonist—society, perhaps? And somehow, through the grace of such strong characters and writing, it works. More

  • in

    Star Trek, Star Wars & Avatar; Putting Sci-Fi Into Darkness

    In almost everything, there is subtext, intentional or not. In the ‘not’ category is the significant black cloud coming with the silver lining of three massive developments in movieland this year. Firstly, after months of feverish speculation, J.J. Abrams was chosen as the man to helm the return of Star Wars to the big screen; he confirmed his worthiness for the role with the release of Star Trek Into Darkness, a mega-hit blockbuster action adventure putting the highly rated Star Trek 2009 into the shadows; almost in an attempt to draw attention away from Disney and Spielberg’s protégé, James Cameron announced that the most successful film of all time, his film Avatar, would indeed have the three sequels he had long discussed, thankfully with different screen writers covering the wordy bits. Cue much jubilation from fandom; the silver lining. The malignant black cloud, the subtext, was the continued throes of the science-fiction genre as it is starved to death. More

  • in

    Cinema’s Greatest Villains: The 1970’s

    Recent hot cinema topics such as the portrayal of the Mandarin character in Shane Black’s Iron Man 3 and speculations about what classic Star Trek villain Benedict Cumberbatch’s character in J.J Abrams’ Star Trek: Into Darkness was modeled after leading up to the film’s release, among others, underline the importance of great villains in genre […] More

  • Stanley Kubrick

    5 Surprising Personal Passion Projects of Legendary Directors

    There’s something inherently lonely and tortured about being a director. Yes, you’re the tyrant of the set and dictator of the vision, but you’re also the man (or woman) behind the curtain, the puppet master who never appears on stage….unless you’re Clint Eastwood or Quentin Tarantino. Or Alfred Hitchcock….or Roman Polanski…ANYWAY, the point is that […] More

Load More
Congratulations. You've reached the end of the internet.