In almost everything, there is subtext, intentional or not. In the ‘not’ category is the significant black cloud coming with the silver lining of three massive developments in movieland this year. Firstly, after months of feverish speculation, J.J. Abrams was chosen as the man to helm the return of Star Wars to the big screen; he confirmed his worthiness for the role with the release of Star Trek Into Darkness, a mega-hit blockbuster action adventure putting the highly rated Star Trek 2009 into the shadows; almost in an attempt to draw attention away from Disney and Spielberg’s protégé, James Cameron announced that the most successful film of all time, his film Avatar, would indeed have the three sequels he had long discussed, thankfully with different screen writers covering the wordy bits. Cue much jubilation from fandom; the silver lining. The malignant black cloud, the subtext, was the continued throes of the science-fiction genre as it is starved to death.
Star Trek Into Darkness
In the wake of a shocking act of terror from within their own organization, the crew of The Enterprise is called back home to Earth. In defiance of regulations and with a personal score to settle, Captain Kirk leads his crew on a manhunt to capture an unstoppable force of destruction and bring those responsible to justice.
As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.