Steve mcniven

Altogether, Uncanny Inhumans #4 stands out among the wave of recently added Inhuman titles, and expectations should be nothing but high for the royal family’s flagship title.

Overall, the Uncanny Inhumans (featuring Johnny Storm and Beast) are doing big things in their corner of the All-New, All-Different Marvel Universe. Soule puts forth the effort to include Beast, who is relatively new to the new cast, and have the cast interact with him to varying degrees in some fantastic scenes. The interactions between all of the players make the comic worthwhile given their history with one another. Johnny Storm being called out on his relationship with previously dating Medusa’s sister Crystal is complicated, yet funny to think about in the light of the events of the story. Uncanny Inhumans #2 is another big step in Kang’s plan of dominance, and another step for Charles Soule, Steve McNiven, and the rest of the art team to prove why the Inhumans are larger than life and can give the X-Family a run for their money.

If Uncanny Inhumans is the flagship title to lead the charge of the wave of books concerning our Inhuman friends, then with the help of Charles Soule, Steve McNiven, and the rest of the art team, it’ll be a welcome change of pace for the Marvel Universe.

Civil War was a massive Marvel crossover event running from 2006 to 2007 and tied into virtually every Marvel comic including cosmic ones, like Nova, and quirky teen ones, like Runaways. The comic begins with the New Warriors (a team of perpetually C-Listers) fighting a group of supervillains to garner better ratings for their reality TV show, which leads to the villain Nitro blowing up a school in Stamford, Connecticut leading to many civilian casualties. This leads to Tony Stark, Reed Richards, the Avengers, and SHIELD supporting the Superhuman Registration Act, which bans secret identities, implements mandatory training for young heroes, and makes superheroes agents of SHIELD. This is opposed by Captain America, who doesn’t want to hunt down his fellow heroes, and the conflict begins as all the heroes of the Marvel Universe must either choose the Pro-Reg or Anti-Reg side.

In Death of Wolverine, Charles Soule, Steve McNiven, Jay Leisten, and Justin Ponsor had the tough job of killing off one Marvel’s most popular characters in a way consistent with his legacy of his character. Death of Wolverine #4 contains the actual “death”, and Soule, McNiven, and company stick the landing. Except for Doctor Cornelius’ supervillainous monologues, Soule’s script is terse and minimalist. Wolverine doesn’t say much, but he does a lot in keeping with his early characterization in Chris Claremont and John Byrne’s Uncanny X-Men where he would be the one still scrapping and fighting even after the Hellfire Club had taken out the other X-Men. In this last story, Soule examines all the different sides of Wolverine from lab experiment and animal to soldier, superhero, and samurai. And Steve McNiven’s art continues to be a treat from his landscape portraits of the Nevada desert to Wolverine’s last, visceral hand to hand battles. Inker Jay Leisten tightens his lines and elucidates the details of Cornelius’ lab as well as the lines on Wolverine’s determined faces. Colorist Justin Ponsor continues to be one of my personal favorites as he sets a different mood for each scene from a washed out brown for one final flashback of Weapon X to the sterile environment of Cornelius’ lab and one last walk in the sunlight.

What is it? Civil War is a 7 part major cross-over event and tie-in series that was first published in 2006 and written by Mark Millar with Steve McNiven on pencils. One Sentence Description: Iron Man wants order and Captain America wants freedom, but what they both get is a fist fight. What’s it all …

Death of Wolverine #3 Written by Charles Soule Pencilled by Steve McNiven Inked by Jay Leisen Colors by Justin Ponsor Published by Marvel Comics Even if Charles Soule’s script reads like a compilation of the best solo Wolverine stories all rolled into one miniseries, Death of Wolverine #3 is another shining example of why Steve McNiven is one of the best …

Written by Charles Soule Pencils by Steve McNiven. Inks by Jay Leisten Colors by Justin Ponsor. Letters by Chris Eliopoulos Standard Cover by McNiven, Leisten & Ponsor Published by Marvel Comics. Death of Wolverine #1 is the culmination of a storyline begun by Paul Cornell in which Wolverine lost his mutant healing factor, and the first issue of a …

Drawing Captain America either in his own title or Avengers has been a right of passage for superhero artists since the 1960s. Even artists who have gone on to do very different things, like write and draw Superman’s modern origin (John Byrne) or create Blade the vampire hunter (Gene Colan) have had memorable takes on Cap’s adventures. …

Guardians of the Galaxy Issue #1 Written by Brian Michael Bendis Penciller: Steve McNiven Cover by Steve McNiven, John Dell, & Justin Ponsor Publisher: Marvel Brian Michael Bendis’ much anticipated Guardians of the Galaxy, the newest of the Marvel Now! relaunches, proves just how great obscurity can be. How great is the comic exactly? Using …

When these artists started working, Wolverine was one of Marvel’s biggest stars. He got his own solo book in 1988 and was prominently featured in Fox’s long-running X-Men cartoon. Wolverine also appeared in his first solo video games Wolverine and Wolverine: Adamantium Rage in 1991 and 1994. In comics, this was a time of experimentation and changes for the character. He …

Here is Part Two of the top Canadians making waves in the comic industry. For Part One click here! Ray Fawkes The formatting of a comic book is what makes the medium so unique. It allows for an extra layer of nuanced storytelling that you cannot find elsewhere. It’s this respect for structure that makes …