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‘2000 AD Prog: 1900 & 1901’ Come for Dredd, stay for (most of) the rest

TV fans often defend their favourite shows with assurances that “it gets better.” It’s a given, at least in North America, that shows take time to truly find their footing. British television, however, is understood to be a place where the writer rules, and is thus free to craft more satisfying, finite stories untainted by corporate committee-think.

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