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‘Stories We Tell’ more successful as an intellectual exercise than as heartfelt, familial emotion

How can a documentary ever satisfactorily tell us the truth? No matter what the topic of debate is, how can the filmmakers relay to us the supposed truth of a situation without any form of bias or creative control poking through? Hell, what is truth? Yes, such heady philosophical notions and questions are present in each moment of Sarah Polley’s newest film Stories We Tell, a documentary of sorts, in that it’s structured around real lives and real people.

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More Equal Than Others: Six Films of 2012 Done Better

For better or worse, films don’t exist in a vacuum. If literature derives from itself, and, according to Marshall McLuhan, the content in any new medium is always the same as in the old, then films don’t exactly have a wealth of opportunities to be original. You can always compare a film to one that …

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‘Take This Waltz,’ while far from perfect, shows off some nice moves

Take This Waltz Directed by Sarah Polley Written by Sarah Polley Canada, 2011 Actress, writer, producer, director, Sarah Polley can apparently do it all. Ever since her touching, memorable performance in Atom Egoyan’s The Sweet Hereafter, she has earned her place within the film industry on both sides of the Canadian-American borders. Her work is …

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