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    Orphan Black, Ep. 3.09, “Insolvent Phantom of Tomorrow” stalls season’s building momentum

    Orphan Black has been on a roll in the back half of the third season, focusing back in on character—rather than plot—with tremendous results. Unfortunately that forward momentum stalls in this episode, as Sarah, Felix, and Mrs. S head to London to find the Castor original. While their trip across the pond allows for one of the episode’s best moments, Mrs. S rocking out with her former band, it also leads to the latest development in what has been a disappointingly plot-heavy season. It’s fun to watch Maria Doyle Kennedy perform one of her own songs (“Stuck”), but that’s not why it’s such an effective moment. The jam session gives much-needed nuance and background to the woefully underserved Mrs. S, humanizing her and letting the audience, and Sarah and Felix, see a bit of what she was like before Projects Leda and Castor took over her life. More

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    Orphan Black, Ep. 3.07, “Community of Dreadful Fear and Hate” shines the spotlight on Alison

    So far this season, Alison’s subplot has struggled, partitioned off from the rest of Clone Club and driven by one out of character move after another. Thankfully this changes with “Community of Dreadful Fear and Hate”, which folds Felix and Cosima into Alison’s story, making it instantly more relevant. It’s great to see Felix helping out with a more mundane problem than usual and in one of the episode’s best moments, we finally get to see Cosima try to pass as one of her sisters. More

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    Orphan Black, Ep. 3.06, “Certain Agony of the Battlefield” strengthens season three’s return to form

    Given the inconsistency of Orphan Black season three, it was easy to fear last week’s moving installment would be a blip in an otherwise unremarkable season. Thankfully, “Certain Agony of the Battlefield” builds on the strengths of its predecessor, continuing its character-based approach and efforts to tie as many threads as possible into the central narrative of the season, Project Castor’s conflict with Sarah and the rest of Clone Club. More

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    Orphan Black, Ep. 3.02, “Transitory Sacrifices of Crisis” takes a step in the right direction

    After the underwhelming season three premiere, “Transitory Sacrifices of Crisis” is encouraging, moving what appears to be the crucial arc for the season, the introduction of Project Castor and the CastorClones, towards more interesting territory. While the two main CastorClones featured this week remain Bad Moustache Clone and Fauxhawk Clone, they’re given names and briefly, motivation. Seth (BMC) is sick, a short circuit in his brain causing searing pain and Rudy (FC) is protective of his brother, certain Seth will be put down if they return to base as they’ve been ordered. It’s not much, but this is far more characterization than Ari Millen has been given to work with either last season or in the season three premiere (aside from Creepy Cult Clone, Mark), and he does a surprising amount with these few beats. Seth and Rudy’s treatment of the woman they lure back to their hotel is appropriately creepy and traumatizing, a logical way to bring Art back into the fold, and making Sarah Manning the inspiration for Rudy’s decision to go off-book is a nice touch. More

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    ‘Orphan Black’ Season 3 gets first teaser trailer

    BBC America’s Orphan Black must be one of the best sleeper hit television series of 2013, with wonderfully crafted unfolding mythology and well defined characters and characterizations by a very talented cast, led by one masterful talent playing many different roles, Tatiana Maslany. The science fiction drama about rogue clones caught in a shadow organization’s […] More

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    Five Easy Ways to Fix the Emmys

    Emmy nominations were announced this morning and as usual, there were a number of snubs and surprises, which the Internet collectively whined about this morning. Rather than continue to mourn the lack of a nomination for Tatiana Maslany (which I admittedly complained about as well), actual solutions need to be pitched. Sadly, “chain Emmy voters […] More

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    Orphan Black, Ep. 2.07, “Knowledge of Causes, and Secret Motion of Things” channels season one

    Well then. Looks like the writers shared this critic’s concerns about Leekie as a viable villain. This week’s Pulp Fiction-inspired conclusion may be a bit pat and predictable, but it resolves the show’s Leekie problem while moving Donnie in a new and promising direction (and making fabulous use of “Love Is All Around”). Alison’s relationship with her monitor husband has been a confusing blind spot for the show for most of its run—do they care for each other or has Donnie been playing Alison from the start? The show has tried to have it both ways and while the answer given this week is far more interesting than Paul-and-Beth-take-two, it requires some selective forgetfulness from the audience. More

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