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31 Days of Horror: Jump Scares, Twists & A Genre in Decline

There’s a wonderfully maddening moment early on in Stanley Kubrick’s The Shining where Danny Torrance is perusing the corridors of the Overlook hotel on his tricycle. He swings round corners, the camera obsessively following him in a locked in third person perspective angle. The skin crawling score by Wendy Carlos and Rachel Elkind swells up …

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