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Eight Counts of Grand Theft Cinema

We love crime movies. We may go on and on about Scorsese’s ability to incorporate Italian neo-realism techniques into Mean Streets (1973), the place of John Huston’s The Asphalt Jungle (1950) in the canon of postwar noir, The Godfather (1972) as a socio-cultural commentary on the distortion of the ideals of the American dream blah …

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What Makes A Classic Movie Classic?

If I may, I’d like to quote from Entertainment Weekly’s review of the just released 70th anniversary Blue-ray release of Casablanca (1942). According to Chris Nashawaty’s piece, when the script arrived at Warner Bros. in December of 1941 “…there wasn’t an ending yet…the movie was just one of 50 in Warner’s crowded pipeline at the …

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