It looks like documentary filmmaker Michael Moore is looking to …
Toronto International Film Festival
With Foxcatcher, Bennett Miller (Capote, Moneyball) directs a tragic tale of American ambition gone awry. It’s a grave and stately undertaking that’s based on the real story of John du Pont, heir to one of the richest families in America, who dreamed of building a wrestling team around the talents of two gold medal wrestlers that came from modest means. The inequality of power pushes the tension between the three over the edge. Although the film isn’t an awe-inspiring achievement as a whole, the performances and atmosphere stimulate the senses and hold a firm grip on the viewer’s attention.
With the release of two films in 2014, Abel Ferrara has had one of the biggest years in his long and rich career. Welcome to New York, which premiered at the Cannes film festival, was a confrontational splash that divided audiences and critics alike. As the Toronto International Film Festival was underway, the film jumped back into the headlines too, as Ferrara began a media fight over the negotiation of an R-rated cut of the film, which he refused to endorse. This revelation came at a particularly apt moment, as Toronto presented Ferrara’s second film of the year, Pasolini. It seemed only appropriate that, while waging a public battle over censorship, Ferrara’s new film about a man rumoured to have died because of his art would be premiering.