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Film Fury #45: ‘Samurai Rebellion’ expresses tension and strife though formality

Looking at renowned director Kobayashi’s output in the early to late 1960s, one is struck by his string of films from 1962 to 1967, which begins with Harakiri, continues with Kwaidan and concludes with Samurai Rebellion. With those three films Kobayashi places himself in some illustrious company with the likes of Hitchcock and Spielberg, filmmakers that also delivered multiple movies in rapid succession, each met with near universal acclaim.

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‘Sanjuro’ deftly exposes a different side to the very gruff titular anti-hero

A director of Kurasawa’s skill was probably best served by exploring different stories and themes throughout his career. As such, it seems perfectly understandable that he never went back to the Sanjuro well. Thinking back to the towering films he went on to direct, who would argue that he really should have produced another entry? Even so, one can be forgiven for asking ‘what if?’

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‘Yojimbo’ is supreme entertainment under the guidance of the sensei Kurosawa

Akira Kurosawa is known one of Japan’s great cinematic exports, if not the very greatest. Dabbling in drama, historical epics influenced by the works of William Shakespeare and entertaining romps replete with unforgettable characters and splendid adventure, his career spanned six decades and earned him the sort of reputation most directors will only ever savor in their dreams.

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