Val Zod

‘Convergence’ #5: rusty robots and wasted wizards

DC’s big event comic of the spring continues. Sad to say that there is not much to be excited about as most of its problems remain. The major change up this week is the takeover of art duties by Andy Kubert and Sandra Hope.

‘Convergence’ #2: boilerplate event

DC’s latest event comic reaches its second (technically third) issue and continues the trend of disappointment. Despite a star studded cast of the excellent Earth 2 hero roster, Convergence has had very little to do despite all the publicity hype and the bringing in of countless parts of DC’s history. With so many great stories on the table, it’s a shame that this story ends up so empty.

‘Convergence’ #1: where worlds collide…later…

After a rather uneventful #0 issue, DC’s big Convergence event starts in full. For those not in the know, Telos, a living planet, has served as Brainiac’s dumping ground captured cities. With Brainiac dead, Telos takes his master’s plan in a new sinister direction sets the cities to full-scale war with each other and only one may survive. What throws a wrench into the works is the arrival of Val-Zod, Thomas Wayne, Alan Scott, Jay Garrick, Dick Grayson, and Yolanda Montez. They’ve been saved from death at the hands of Darkseid but now find themselves at the center of Convergence. However, given they’ve been trapped in Earth 2: World’s End for six months, this must be like a holiday for them.

‘Earth 2: World’s End’ #25: how far we’ve come

So it’s come to this, the penultimate issue of Earth 2: World’s End and what is soon to lead in to DC’s much hyped Convergence event. Does it surprise anyone that this issue is bad? Of course not! If there’s one thing that can be said about World’s End, it’s that it’s consistently awful.

‘Earth 2: World’s End’ #24: Eve of destruction

It’s the same old drill again, another issue of DC’s regular installment of disappointment. Guess it’s time to get it done. Earth 2: World’s End reaches issue #24 and is set to conclude in two weeks. Looking back on the last six and a half months leads one to conclude that the finale will most certainly be disappointing given how mismanaged this entire endeavor has been since day one. That being said, this week brings shockingly the closest knit issue to date, that is to say, there’s something that ties the many plot lines together and not something like the terrible art or drawn out fight scenes.

‘Earth 2: World’s End’ #23: in the end it doesn’t even matter

Like a weekly root canal, it’s time to endure Earth 2: World’s End again. At least there’s solace that this defilement of this once great universe will soon end. What is truly making this final stretch of World’s End appalling is how little is happening. The last twenty two issues have featured their cast effectively spinning their wheels in the mud and one would assume that’s to kill time, both to justify this book’s status as a weekly and to build up to a great planet shattering climax. As previously stated, the end of the world is shockingly dull.

The end of ‘Earth 2’ at #32

Well, it’s finally come, the last issue of Earth 2. The reason Earth 2 and its weekly series Earth 2: World’s End gets reviewed every week is that despite all the bad worlds said about in the last six months, Earth 2 used to be one of the best books coming out of DC. In fact, it was one of the few books that made the New 52 somewhat justified in its existence. Instead of rehashing older stories or making embarrassing changes to characters older than the company that published them, Earth 2 did something different. It build a whole new world from the ground up, embracing its comic book roots by being a series about ordinary people swept up into the world of the impossible and altruism and hope overcome the darkest to times. It broke standards by bringing Lois Lane, who’d been killed off panel for little purpose, back from the dead as a superhero and making Val Zod a more true-to-nature version of Superman than Superman has been in years. It was helmed by the great James Robinson and continued by the excellent Tom Taylor. Yet that golden age has come to a close, for the past six months DC has done everything in its power to sabotage this series. It turned this book into little more than a tie-in to World’s End which itself is little more than a sloppy mess of a title, stumbling its way to the finish line. What little gems of aspiration could have been found were buried under editorial mandate and terrible management. While this series will live on after the upcoming Convergence event as Earth 2: Society, the damage has been done. There is little to no hope for this series to ever reclaim its greatness. Hence it is with a heavy heart that this is the last issue of Earth 2.

‘Earth 2: World’s End’ #21: it gets better

Another week means another issue of Earth 2: World’s End and while the chance for this series to be anything beyond cheap tie-in material to DC’s Convergence event has long passed by, this issue is a shocking improvement to what has usually be a painful slog to read. It’s true that this series has stuck the terrible decision to split art duties between plotlines instead of individual issues such as with Futures End and Batman Eternal, but for once this series does something that resembles competence.

‘Earth 2: World’s End’ #19 stays the course

Last week, Earth 2: World’s End did something unexpected, it improved. With the help of Cullen Bunn, issue #19 has some moments to shine with great characterization and heart-felt moments to wash out the terrible artwork and redundant Life Avatar battles. All of that goes right down the tubes as World’s End falls back into line with over-stretched plot lines, sloppy science fiction, and egregious artwork.

Back to bad basics in ‘Earth 2: World’s End’ #12

After a surprisingly pleasant side step last week, ‘Earth 2: World’s End’ returns to form with scatter shot story and a ten member art team. It’s quite the loss as last issue was a much better paced and tightly focused read and now once again the audience is subjected to a confused mess of a plot with changing art every two to four pages.

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