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‘Cyborg’ is as well an oiled machine as cheap, B-movies get

Right from the opening minutes it is abundantly clear that the filmmakers wish to ape the general tone and aesthetic of the Mad Max franchise that erupted on screens for the first time only a decade prior and into the 1980s. From the dystopian world reduced to savagery for vaguely explained reasons, to the quasi-steampunk allure of the costumes and technology employed (what little is left, of course), to the overall personality of the universe.

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