wild tales

Cannes 2014: ‘Force Majeure’ shows maximum control from the powerfully subtle Östlund

Ruben Östlund’s powerful tale of moral expectations begins in a pure-white canvas as a photographer cheekily moves the family through mundane vacation picture poses. The camera, though already framing excellently in 2.35, swerves along with the family of skiers to create a silent, elegant painting of action. Scenes are often shot in long-take, though the conversations they encompass may elevate its transfixing pace. It’s slow, droll, and has the visual competency of an action film which sets it up initially as a natural black comedy. However, an instigating event suddenly transforms relationships within the nuclear family and beyond adding a significant undercurrent of tension that’s been rightly compared to The Loneliest Planet. From a storytelling and tonal perspective, it’s a different kind of beast that relies and succeeds through timing the combinations of drama’s basic components.

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