More stories

  • in

    Limping, Lisping and Lobstering: Escaping Yorgos Lanthimos’ Hotel of Purity

    Back when Greek auteur Yorgos Lanthimos first clambered barefaced upon the international stage with his daring Dogtooth, quite a few hastened to mention its striking resemblance to Arturo Ripstein’s similarly self-contained The Castle of Purity, made some 35 years earlier. In the wake of his first English-language effort The Lobster, one might even go further and compare all that Lanthimos has done thus far to Ripstein’s film: the […] More

  • in

    Cannes 2015: “The Lobster”: comedy of the absurd, short on laughs

    The much anticipated fourth film in competition, Yorgos Lanthimos’s The Lobster follows in the footsteps of Garrone’s Tale of Tales and Sorrentino’s Youth – Southern European auteurs of noteworthy beginnings migrating to English-language international co-productions and big-name casts. So far the ‘show-me-the-money’ transplant, (Lanthimos stated during the press conference that while funding was easier to assemble internationally, he moved to the UK because he wanted to work in English anyway), has yielded mixed results: it seems that once the big money and names are there, the genuine irreverence and wildness we first loved gives way to forced weirdness overkill and uninspired attempts at outdoing oneself (while probably being intimately aware that casting a pretty Hollywood-approved lead because the budget is there does not guarantee great art). Though to be fair, by day four at Cannes 2015, it seems quite a few films get made because, well, someone secured a budget to make a film (Iceland entry to Un Certain Regard Rams about sheep and grass and sheep and snow, I am thinking of you)… More

  • in

    Cannes Day 1: Hospitality, Warmth and Good Looks

    Arriving in Cannes jetlagged on a cloudless summer morning (the Mediterranean summer’s already here) I was greeted by a cultural shock of sorts – the hundreds of festival staff, hosts, security, building contractors, are all extremely friendly, helpful, polite and funny – the antithesis of Paris. The Parisian crowd stands out a mile away from […] More

  • screenshot from The Phantom of Liberty

    The Definitive ‘What the F**k?’ Movies: 30-21

    30. Conspirators of Pleasure (1996) Directed by: Jan Švankmajer We’ve already seen two films from Jan Švankmajeron the list, but this elaborate movie about a number of separate, but connected people takes the cake. Conspirators of Pleasure follows six people, each with their own incredibly unsettling fetish. A letter carrier ingests dough balls every night before […] More

  • in

    2011 Venice Film Festival Lineup Is Incredble

    Hot on the heels of the release of the first wave of films announced to screen at the Toronto Film Festival, comes the main lineup for the 68th Venice Film Festival, which runs from August 31 to September 10. There are a few highly anticipated films that appear here that are not yet scheduled for […] More

  • in

    Director of ‘Dogtooth’ Reveals Details on his Newest Film

    Sound On Sight has championed the twisted and weird Best Foreign Film nominee Dogtooth for about two years now, and in fact we recently reviewed it again on our newly launched video-cast titled Front Row Center. So it’s no secret that we are fans and are highly anticipating the director’s next film. Well Yorgos Lanthimos […] More

Load More
Congratulations. You've reached the end of the internet.