Nintendo’s Next System Codenamed “NX”

‘Invisible Republic’ #1 gets lost in the stars

The Walking Dead, Ep 5.14: “Spend” examines the price of cowardice

‘Life in Color’ Movie Review – suffers from a lack of sincerity

New on Video: Warner Brothers Musicals Collection

SXSW 2015: Prepare yourself for the cinematic roller coaster that is ‘The Nymphets’

Looking, Ep. 2.09: “Looking for Sanctuary” finds some relationships strengthening while others break

The Good Wife, Ep. 6.15: “Open Source” sees the return of long-absent faces

Girls, Ep. 4.08-09, “Tad & Loreen & Avi & Shanaz” and “Daddy Issues” show relationships in flux

‘Earth 2: World’s End’ #23: in the end it doesn’t even matter

Kids on the Slope and the emotional power of short-lived TV

SXSW 2015: ‘Petting Zoo’ documents the transition from adolescence to adulthood with intimate detail

Fairytales reign supreme as ‘Cinderella’ handily wins the weekend box office

SXSW 2015: ‘Manglehorn’ is as aimless as its eponymous character

The 100, Ep. 2.16, “Blood Must Have Blood, Part Two”: ‘May We Meet Again’

‘Cymbeline’ is an admirable Shakespeare adaptation, but far too convoluted

SXSW 2015: ‘The Salt of the Earth’ is a sufficient tribute to an extraordinary photographer

SXSW 2015: ‘The Look of Silence’ proves Joshua Oppenheimer is one of the best documentarians working today

Cashing in with online lotteries

‘White Night’ is a haunting mixture of ‘Sin City’ and ‘Silent Hill’

Banshee, Ep. 3.10: “We All Pay Eventually” continues opening doors

Television that Home Video Forgot: Drive (2007)

‘Final Fantasy VIII’: Ultimecia is every bit as epic as her name suggests