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Z Nation, Ep. 1.08, “Zunami”: Plot predictability leads to weak instalment
Shot Glass Half Empty?: On Boardwalk Empire’s Troubled Legacy
‘Chaos Legion’ yields surprisingly addictive squad-based action
Constantine, Ep. 1.02: “The Darkness Beneath” brings Zed into the fray
‘Melbourne’ Movie Review
Gracepoint, Ep. 1.05, “Episode Five” unravels secrets in tense moments
‘Animal Man: The Hunt’ one of the strongest books from the early days of the New 52
‘Deadpool and Captain America’ #1 Has Funny, Emotional Moments, But Mediocre Art
Scandal, Ep. 4.06, “An Innocent Man” spotlights the show’s women
How to Get Away With Murder, Ep. 1.06, “Whack-a-Mole” addresses race and injustice head on
Quantum Leap’s “The Boogieman” Flips the Script on the Formula
Week in Review: Orson Welles’ last film arriving in 2015
Twin Peaks, Ep. 1.02: “Traces To Nowhere” establishes oddly effective beats of investigation
‘Among the Sleep’ is no nightmare, but still unsettling to play
‘Nightcrawler’ is a creepy and enigmatic thriller
‘Citizenfour’ seethes with paranoia and anger
Why Marvel Doesn’t Need Spider-Man
A Girl, her Girls, and Creativity, Gone Wild in ‘Inland Empire’
Kingdom, Ep. 1.04, “Flowers”: Ignoring the warning signs
Arrow Ep. 3.04: “The Magician” effortlessly integrates old foes into new stories
American Horror Story, Ep. 4.04, “Edward Mordrake (Part Two)” takes a nasty turn
Red Band Society has great character moments, but inconsistent story development
The Hype Cycle Week 6: The Long Road Ahead
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