Bucky Barnes: The Winter Soldier #1 is an Out of this World Debut

The Hype Cycle Week 4: Oscar Season Gets Ugly

David Fincher To Direct Entire 1st Season of HBO’s ‘Utopia’

NYFF 2014: ‘Gone Girl’ is a powerhouse thriller that loses steam by its end

Thor #1 is Quite Worthy

31 Days of Horror: ‘The Texas Chainsaw Massacre’ – 40 Years Later

‘A Nightmare on Elm Street’ – 30 Years Later

Awkward., Ep 4.13: “Auld Lang Party” closes out the calendar year

NYFF 2014: ‘Whiplash’ phenomenally explores the line between perfection and sociopathy

Death of Wolverine #3 Has Iconic Imagery, Average Story

Witchcraft Wednesdays: ‘Suspiria’ feels just as exhilaratingly nightmarish today

Agents of SHIELD, Ep. 2.02: “Heavy is the Head” is heavy on questions, light on answers

Sons of Anarchy, Ep. 7.04, “Poor Little Lambs”: Jax’s master plan goes south

Redefining a legend: How Mikkelsen’s Hannibal changed the way we look at the villain

‘Condemned: Criminal Origins’ terrorizes via a macabre medley of mannequins

Gotham, Ep. 1.02, “Selina Kyle” slows down pace with rising tension

Wide World of Horror: ‘El páramo (The Squad’) – once a soldier always a soldier

Kamen Rider Taisen: Two Generations of Japanese Heroes go to War

‘Life’s a Breeze’ an Irish export that tells a funny story in a light and charming way

NYFF 2014: ‘Saint Laurent’ is gorgeous but light

NYFF 2014: Mathieu Amalric has a dark heart in ‘The Blue Room’

‘2000 AD Prog: 1900 & 1901’ Come for Dredd, stay for (most of) the rest

NYFF 2014: ‘While We’re Young’ – The Young and the Old and the Restless