There’s a current trend in critical circles that’s been taking the internet by storm in the last few weeks, creating the sort of clicks-driven feedback loop these things tend to when they catch on. The term “vulgar auteurism” is coming into vogue (you can read one very good piece on it here, and by clicking …
Thanksgiving is here (American Thanksgiving, at least), making it officially the Holiday Season. It’s a time for reflection, for pausing to appreciate those people and things we’re most grateful for, and for focusing on what’s really important in life. Television. Here are just a few of the many things I am grateful for this year. …
The showrunner of a television program is the person in charge of day-to-day operations. He or she is an executive producer who has final say over every element of the series, from writing and directing staff to cast to costumes to music. Some choose to delegate, handing over responsibility for particular aspects of the show …
By the late 1970s, the tremendous creative license the major studios under a new generation of production chiefs had granted the young tyros of the 1960s – Coppola, Scorsese, et al – had expired as each managed to deliver at least one, major, back-breaking flop. For Scorsese, it had been the grim musical New York, …
Cult Cinema: Volume 3 In the 1950s, a group of French writers revolutionized film criticism with the magazine Cahiers du cinéma. By re-evaluating the films of Alfred Hitchcock, Howard Hawks, and John Hughes, among others, the critics gave birth to a grand unified ‘auteur theory,’ which positions the director as the ultimate creative force behind …
Cult Cinema: Volume 3 In the 1950s, a group of French writers revolutionized film criticism with the magazine Cahiers du cinéma. By re-evaluating the films of Alfred Hitchcock, Howard Hawks, and John Hughes, among others, the critics gave birth to a grand unified ‘auteur theory,’ which positions the director as the ultimate creative force behind …