Auschwitz, Autumn, 1944. Saul Ausländer (Géza Röhrig) is a Hungarian-Jewish prisoner and member of the Sonderkommando, one of the cursed work gangs selected by the Nazi genocide machine to assist in the industrial slaughter of undesirables and perceived enemies of their genocidal regime.
It is difficult to discuss Evolution without giving away a lot of its surprises. Needless-to-say, Lucile Hadzihalilovic’s masterful film (only her second in a decade) is disturbing, beautiful and restrained. Mysterious from beginning to end, the film challenges and intrigues, reaching down inside to grab hold of something within us all that is ancient and primordial, engaging on a level that exists within not only a collective imagination but our collective biology
One often wonders what they would be capable of if their life depended on it. Would you take charge, delegate responsibility but do your part, or would you completely break down and cower in the corner? Would you be able to think clearly enough to find a solution to the problem or would your emotions be too overpowering?
Director Pablo Larraín is known for his extremely fascinating social commentaries about his native Chile. Most famously, he tackled the Pinochet regime and its legacy with his trilogy comprising Tony Manero, Post-Mortem and No. With The Club, Larraín looks at Catholicism, another major Chilean institution, and the abuses of power that can occur within the priesthood.
Following the brilliant A Touch of Sin, auteur and Chinese master Jia Zhangke returns with a similarly structured, yet more narratively linked, portrait of China in the new millennium. Mountains May Depart is two-thirds of a gripping relationship drama that captures not only a China in constant flux, but also the universality of human experience.
To describe Bone Tomahawk as a “horror-Western” is good shorthand, but could be a little misleading. The film indeed has horror elements but novelist turned screenwriter/director S. Craig Zahler seems more interested in spending time with his four main protagonists as they travel across country, letting their different personalities and world views, and the harshness of the terrain, challenge them on their journey
Assassination is pure entertainment. Director Choi Dong-hoon pulls together an astonishing group of talent both in front and behind the camera to portray a story close to South Korea’s heart with humour, pathos, gorgeous cinematography and a series of impressively bombastic action scenes to create one of the most exciting adventure films in recent years.
THE 59TH BFI LONDON FILM FESTIVAL ANNOUNCES FULL 2015 PROGRAMME …