Bullitt

“Day for Night,” a much loved, widely awarded, and truly joyous work about the trials and triumphs of making a film and the extraordinary power of motion pictures as objects of affection and obsession.

As happened for so many other genres, the 1960s/1970s saw a tremendous creative expansion in crime and cop thrillers. The old Hollywood moguls had died off or retired, most of the major studios were bleeding red ink, attendance had gone off a cliff since the end of WW II, and a new breed of young, …

Put together to compete in the SXSW Title Design Competition, Ian Albinson has edited a large mix of some of the greatest film and television titles ever made. Slashfilm reports that the websites mission is: A compendium and leading web resource of film and television title design from around the world. We honor the artists …

(Celebrating award week with a look at one of Oscar’s most notable champions: The French Connection. Thirty-nine years ago, Connection — besides being one of the biggest hits of the 1970s – was the top winner at the Academy Awards walking away with gold for Best Picture [collected by producer Phil D’Antoni], Director [William Friedkin], …

Peter Yates, who died this past weekend at age 81, was one of several British directors invited to make movies in The States in the 1960s, all of whom had a particular and rare filmmaker’s gift for capturing a sense – the feel — of a setting often better than native-born filmmakers could.  Yates’ obits …

Authors note: Okay, let me just a minute to explain about my relationship with cop movies. I love them! As an ex-actor my ideal role would be that of some down on his luck, hardboiled cop! The very first feature length script I completed was a cop thriller! I did my very best at channeling …

I recently sat through the clumsily titled “Version You’ve Never Seen” cut of The Exorcist, only to conclude that it should have remained unseen. Another 10 minutes of footage, including the laughable spider-walk scene and a feeble new ending have done nothing to improve William Friedkin’s horror classic. But, as the DVD market is flooded …