With Christopher Young’s fairy tale score, ‘Hellraiser’ withstands its otherwise dated qualities
Musically speaking, Hellraiser begins like a fairytale. Glassy bell percussion provide an enchanted introduction before composer Christopher Young’s main titles layer in tragic string figures. Blaring low brass blast a tainted pessimism, harkening back like the prelude to some age old fable as piano moves in grand, darkened fashion. Like a spell cast over the …