“Objects in Space”, the last episode (but not the last episode aired) of Firefly’s first and only season, more or less ends right back where the show started way back in “Serenity”, only by the end of this episode River and Simon are finally, firmly, part of the crew family as well.
The interesting thing about “Heart of Gold” is that it tells the audience a lot of information that they already know, then takes each thread to its natural extreme.
How much does it take for a friendship forged in the savagery of war to fritter away into nothing? Or even worse, until it gets to a point of betrayal and double crossing that somebody gets shot for the safety of everyone else? What boundaries have to be crossed before self destruction and selfishness override a fraternal sense of commitment to war buddies who say death and destruction together on a daily basis? And even further, at what point is loyalty nothing more than a nice idea that people hold on to in order to maintain ties to fond memories? “The Message” tries to answer all of this and more when an old war compatriot of Zoë and Mal’s shows up in the mail with a request to ferry him home to his family and loved ones for burial. At times, it falls short of being able to fully explore how the toils of battle mentally affect those that survive the trenches and make it home, but the episode also smartly avoids PTSD as a main story drive and instead focuses on hopes, dreams, failure, and disappointment.
In this case, the strength of an episode like “Trash” lies not in its ingenuity, but in its parallel storytelling structure to that of “Ariel”. Whereas the latter episode dealt with heavy emotions and important character growth in the midst of its central heist, the former is much more comfortable leaving the heaviness of the last two episodes by the wayside and having a bit of fun. The audience has been here before with these characters though, organizing an important heist that carries a fair amount of danger, and as such the writing doesn’t have to put in as much legwork to make it work. Everyone is already familiar with Saffron, for better and for worse, and has experienced the set up and execution of a theft while the organizer recites the steps via voiceover.
No matter how small the fault lines in a relationship, any stress on a friendship or partnership will eventually cause enough pressure to do some serious damage. Even if it’s only temporary issues, it is hard to go through life without one close friendship blowing up because of some unspoken concerns and grudges. This is never more true than in pop culture, where a caustic fight usually manages to become more than that by the end of the episode or season.
For the majority of the first season, Firefly is content to steer clear of the more overtly futuristic qualities of the world it inhabits. The planets Serenity lands on to conduct business are in the outlying areas of the universe and even the more modern locations are still very behind the times due to their rural settings.
Given that at this point it was pretty obvious that Firefly would not last more than one season, and may indeed have already been canceled, it seems the perfect time for the show to try for a truly inventive installment. Written by MVP of the writing staff Tim Minear, “Out of Gas” succeeds in spades and even manages to give some members of the crew something of substance to do that hadn’t had the opportunity to this point.
By far the most important thing about “Jaynestown”, the episode that finally gives Jayne the spotlight and a sheds light on at least one piece of his past, is that it doesn’t betray who Jayne is as a character. At this point each crew member aboard Serenity, with the possible exception of Shepherd Book, has been thoroughly fleshed out enough that they are fully realized people with histories, emotions, and opinions.
“Our Mrs. Reynolds” holds up just about as well as any of the episodes Firefly aired during its run no matter how many times it gets run through the rewatch wringer. Even you if you know the twist that occurs about two thirds of the way through the episode, the zingers and character interactions throughout maintain the entertainment factor at the same level as the first time you set your eyes on Mal getting accidentally married in a drunken stupor.
After all of the build up and little moments between Simon and River Tam, the episode where their relationship is finally front and center arrives. Unfortunately, the episode doesn’t handle the large amount of material it attempts to fit in one hour with as much finesse as it could.
Another episode that aired out of order during the original run (it aired sixth, when it is fourth in the natural order), “Shindig” is an episode that mostly serves to show how the crew behaves when their lives and the ship aren’t in immediate danger.
Where the first two episodes of Firefly are very much tinged with Western themes and focused on world building, the third installment is content with more small scale storytelling that is geared towards space-age horror.
Usually, new series repeat much of the action and details from their pilots in their second episode, to make sure anybody that missed the first go of things has a full understanding of the characters and relevant plot lines established in the initial installment.
Of all the things “Serenity” does well (from which there are many to choose), its successful building of an entire world in less than two hours, complete with fleshed out characters and relationships, is the most incredible.
Serenity Leaves on the Wind #6 Written by Zack Whedon Pencilled by Georges Jeanty Inked by Karl Story Colors by Laura Martin Published by Dark Horse Comics For lack of a better term, Serenity #6 is a comfort food for a Firefly fan. It is full of snarky dialogue, a pack of underdogs saving the day once again, aerial maneuvers, …
Serenity Leaves on the Wind #4 Written by Zack Whedon Pencilled by Georges Jeanty Inked by Karl Story Colors by Laura Martin Published by Dark Horse Comics Serenity: Leaves on the Wind #4 is a better paced comic than the previous issue in the miniseries. Writer Zack Whedon manages to include the planning and execution of Mal …
Serenity Leaves on the Wind #3 Written by Zack Whedon Pencilled by Georges Jeanty Inked by Karl Story Colors by Laura Martin Published by Dark Horse Comics Sometimes Serenity: Leaves on the Wind #3 is very good. Artist Georges Jeanty has an impressive handle on the interior of Serenity, which is detailed and has all the nooks and crannies of …
Serenity Leaves on the Wind #2 Written by Zack Whedon Pencilled by Georges Jeanty Inked by Karl Story Colors by Laura Martin Published by Dark Horse Comics The Serenity Leaves on the Wind miniseries isn’t new reader friendly, but it is a great place for fans of the Firefly TV series and Serenity film to reconnect with their favorite characters and …
Serenity: Leaves on the Wind #1 (of 6) Written by Zack Whedon Pencils by Georges Jeanty Inks by Karl Story Colours by Laura Martin Letters by Michael Heisler Based on the Television Series Created by Joss Whedon Published by Dark Horse Comics There are only two known truths in the entire universe: 1, that a …
Agents of S.H.I.E.L.D. Season 1, episode 1: “Pilot” Directed by Joss Whedon Written by Joss Whedon & Jed Whedon & Maurissa Tancharoen Original air date: September 24, 2013 Airs Tuesdays at 8:00 PM on ABC With the massive success of the Marvel movies, Agents Of S.H.I.E.L.D. arrives with a guaranteed victory. Since the series is …
Percy Jackson: Sea of Monsters Directed by Thor Freudenthal Written by Marc Guggenheim USA, 2013 The footprint that J.K. Rowling left in the world of pop culture is ever-expanding, even as those who are influenced by her work often produce something that feels less like an homage to the world of Hogwarts, Muggles, and wizards, …
Last week, IDW released a new X-Files comic, “X-Files Season 10.” Like the Buffy series from Dark Horse, as well as continuations of Jericho, Smallville, Charmed and Farscape, comics are increasingly becoming home to cancelled television shows. Most of these shows have a cult following, so continued runs in comic form suits them well. I …
Spending two hours in the world of Joss Whedon’s Much Ado About Nothing inspires envy in his seemingly palatial abode, as well as delight at his effortless, carefree adaptation of an equally effortless and carefree Shakespearean comedy. There’s mistaken identity, slapstick, swooning romance, and giddy farce, as you would expect from any revival, modern or otherwise.