George Finn

For the most part Time Lapse efficiently builds suspense around its simple conceit, offering a tightly wound up story that showcases how a once closely-knit unit can break apart when its pieces begin to obsess over the details of their respective lives that were, that are and those that shall come to pass. Bradley King smartly offers up a depiction of people’s obsession with destiny. In this case said destiny is not manifest in the traditionally understood sense but rather figuratively served on a platter for the trio of plucky protagonists to observe, digest and then obsessively try to adhere to it out of fear that any deviation will lead to their ultimate obliteration.