The internet’s ability to collect and collate data, particularly data …
For any Star Wars fan, it’s a familiar sight: a boy named Skywalker staring off into the distance under Tatooine’s twin suns. His past is a series of choices that were out of his hands to make and his future is as yet unwritten. He’s a kid from a backwater planet who will one day hold the destiny of a galaxy in his hands. You probably know the picture or recognize the description but in Darth Vader #7, Kieron Gillen and Salvador Larroca turn the image upside down. Instead of an idealistic and young Luke Skywalker looking towards the future, Gillen and Larroca show us Vader in that very similar pose on the Lars desert homestead, where Tatooine is a past that he cannot escape.
A long time ago…in 1999, the pop culture zeitgeist was caught in a Star Wars maelstrom. Writer-director George Lucas and his crack creative team had gone back to the well that made space opera cinema what it is known and appreciated as today by producing the first Star Wars movie in 16 years. Yes, it was difficult to fathom, but the legion of Star Wars fans the world over had waited over a decade for a new film.