“Kim Moves Out” is the final episode of Lucky Louie aired by HBO during the show’s initial run (there’s an unaired episode released with the DVD set which I’ll review next week), and it was a fitting way for the sitcom to go out.
Too often, Lucky Louie has come across as a great concept with poor execution. The idea of one of the funniest living comedians showing the contemporary relevance of a seemingly dated storytelling style by featuring modern language and topics of conversation is the sort of of thing which, hypothetically, I’d be very much on board with. Unfortunately, Louis C.K. too often forgets to update the attitudes associated with the form, leaving Lucky Louie often feeling like an ugly excuse to retread perspectives which television should’ve left behind long ago.
Things can always be better – and then again, things can always be worse. It’s the great balance of our weird existence, this constant need for us to both seek happiness and express dissatisfaction, often in the same breath – and in the fourth season of Louie (much like the third), this idea’s come through with Louis C.K.’s examination of his relationships with women, the singular forces on our planet that (speaking as a man, of course) both give life and enrich it, bringing beauty and giving definition to a world that would otherwise be dominated by bang-bangs, homoerotic jokes, and penis-measuring contests.
Thanksgiving is here (American Thanksgiving, at least), making it officially the Holiday Season. It’s a time for reflection, for pausing to appreciate those people and things we’re most grateful for, and for focusing on what’s really important in life. Television. Here are just a few of the many things I am grateful for this year. …