M83

It’s been a great year for film music. I say that as someone who had to endure the laughably dated qualities of Alberto Iglesias’ Exodus: Gods and Kings and had to swallow the pill that is Howard Shore‘s latter days Middle-earth music. But it has been a great year. Clint Mansell gave us haunting, complex soundscapes in Noah, the …

Far be it from me to make any grand sweeping statements on the year in film this early, but as of July 2014, I would argue it’s already been a fascinating year for scores. Just look at blockbusters. We’ve heard both the invigoratingly new and the depressingly dull. Ambitious combinations have even produced a commendable …