Marie Antoinette

The 2013 vision of the American dream is one of grossly vapid and misplaced entitlement, if the movies have anything to say about it. As much as coming-of-age stories like Mud and The Kings of Summer are building a trend at the halfway point of the year, the new age of narcissism is making an equally bold rush on Western cinema: first, Spring Breakers; then, Pain and Gain; and now, Sofia Coppola throws her hat in with The Bling Ring, a deliberately dispassionate look at some famous-for-wanting-to-be-famous kids who stole from the rich simply because they could.