Kevin Smith’s ‘Tusk’ looks really sick
What else can you say other than this looks messed …
Michael Parks
‘We Are What We Are’ falters in the ending, but is an otherwise solid and grim backwoods thriller
Too few modern horror films take their cue from the power of suggestion. The less you show, the more terrifying your story can be. Some of the all-time greats of the genre, from The Haunting to The Shining, either show nothing scary or deliberately supernatural at all, or bide their time, allowing strange noises in the distance or unexpected shadows to do the heavy lifting.
‘We Are What We Are’ is one of the best horror remakes
Jim Mickle’s previous film Stake Land, a post-apocalyptic road movie with a vampiric threat, combined the tone of something like The Road with narrative flourishes (invincible hunter known only as Mister, vampires launched from helicopters like dropping bombs) more akin to comic books.
