Natalie Dormer

The splitting of the conclusions of recent fantasy or sci-fi franchises into two parts (or more – looking at you, Peter Jackson) has been financially successful for Hollywood studios, but less so creatively. Only arguable trendsetter Harry Potter and the Deathly Hallows: Part I proved a satisfying film in its own right by being so rich in character interplay and having an actual sense of progression. Mockingjay – Part I is heavy on character beats, but they are repetitive ones due to its limited scope through withholding all the big stuff until Part 2.

“The Diabolical Kind” begins like any other episode of Elementary might. Watson walks down the stairs, notices Sherlock sitting in his beekeeping outfit, makes a sarcastic comment about his laundry and exits the brownstone. What follows – a sequence narrated by Johnny Lee Miller, which we find out is from a correspondence with Moriarty – is “The Diabolical Kind” announcing itself as anything other than a typical episode of Elementary.

Virginia Gilbert’s A Long Way from Home, an adaptation of her own short story, explores issues of complacency and desire in old age. Having met at 23, couple Joseph and Brenda (James Fox and Brenda Fricker) have been married for 50 years, living out their retirement in France’s Nimes region. As former British citizens, the locale choice was meant to make things like a never-ending holiday, but the unchanging routine of their life – including eating at the same restaurant every night and repetitive mornings based around crosswords, letter-posting and the lingering listening choice of BBC Radio 4 from back home – now feels mundane and oppressive to Joseph.