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KCC: Reitzell layers sound for a familiar, intense score in Hannibal, Ep. 3.02, “Primavera”

While it references the new sound Reitzell established for season three in “Antipasto”, the score for “Primavera” is much closer to those of the previous seasons than the premiere’s. In particular, the dense scoring for Will, with layers of instrumentation, sound, and white noise, stands in stark contrast to the solo, muted trumpet for Hannibal or synth for Bedelia in “Antipasto”.

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