Scott Speedman

Cannes 2014: Atom Egoyan’s ‘The Captive’ a sour play-by-the-numbers investigation thriller

Atom Egoyan’s The Captive pits Ryan Reynolds as a blue collar vigilante in an investigatory drama of pedophiles and police-work. However, while its central themes seem reminiscent of the recent Prisoners, its execution is regrettably drawn from cartoons, Lifetime schlock, and the worst traits of primetime detective shows. Following an increasing number of recent failings for the Canadian director, The Captive sets itself up for a return to the form of his heartfelt mid-90s melodrama The Sweet Hereafter, but thanks to the exacerbated direction and faux-camp spirit, it evokes hardly any reaction other than groans and pity-guffaws.

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