The Act of Killing

In The Act of Killing, his previous documentary, director Joshua Oppenheimer employed an innovative technique to explore the atrocities committed under Indonesia’s military dictatorship. The film followed several death squad leaders who were responsible for exterminating thousands of accused communists. Oppenheimer provided these men with financing and production crews, allowing them to recreate their appalling actions on film. It was his hope that by confronting their past in this manner, the men would experience some level of remorse or moral responsibility for their actions. The Look of Silence, Oppenheimer’s companion piece to The Act of Killing, is not nearly as experimental or original as its predecessor. This is not to say that the film is without power. On the contrary, in some ways Silence cuts even deeper than its companion.

For those who already have a low opinion of humanity, The Look of Silence will do little to alleviate your misanthropy. It’s a gorgeously-crafted documentary, and it will likely resonate with people of at least decent moral standing, but it depicts humanity at its worst and offers no hope at the end. A unnervingly tranquil depiction of men as monsters, Joshua Oppenheimer’s film attempts to confront the leaders of the 1960s Indonesian Genocide, a one-sided civil war that resulted in the deaths of over one million people. The killers admit to nothing, of course, and the elected officials (“elected”)write off the genocide as “politics.” Children are programmed to think that those who were murdered deserved it: they were communists, Godless heathens, sinners. Victims’ families don’t dare address the decades-long suppression of truth because subversives are still killed in Indonesia today. It’s 2014, and the populace has been lulled into a startling state of delusion. The film, beauteous and depressing in equal measure, feels like a slowly swelling minor chord sustained for 99 minutes, with no crescendo needed.

As with any year, some people have begun arguing that 2013 was a bad year for film, because of the expected glut of effects-heavy blockbusters that litter the multiplexes each summer, or because there was a lack of auteur-driven storytelling for the majority of the year. Though it is indeed frustrating that studios hold their …

Documentaries have come a long way in the past 20 years, especially in the last decade. Documentary film has developed into a popular and visible form of entertainment, while having a bigger effect on society, usually addressing important issues with the goal of informing the public and pushing for social change. Ten years ago, it …

The worst, most oblivious parts of humanity are on display in the strange and striking new documentary The Act of Killing. Hyperbolic or not, it’s hard to imagine many other documentaries quite like this one, in which the director calls upon many of its participants to reenact, as they please, a number of harrowing and gruesome events from 40 years ago.

Another year and another great festival wraps up deep in the heart of Texas. As the curtains draw to a close on the Paramount and the music fades, Friday marked the end of another great festival at South by Southwest. With over a hundred films screened, this year’s festival has introduced a plethora of great …

[callout] The Imposter Directed by Bart Layton [/callout] [quote by=”Josh Spiegel”] Your mind play tricks on you all the time. You’re presented with a clear-cut fact, something that is immutably true, and you doubt it. You wake up in the middle of the night, but your mind convinces you that you’ve had a full night’s …

Once considered by many as either high art, propaganda or educational videos, documentary film has developed into a popular and visible form of entertainment, sometimes breaking into the mainstream, and often having a greater effect on society. Every year it seems more and more docs are produced and thus not even our hard working staff …