Brian De Palma

NYFF 15: ‘De Palma’ is a masterclass on the film industry from a prolific director

New on Video: ‘Dressed to Kill’

Inconstant selves in Brian De Palma’s ‘Sisters’

New on Video: ‘Angel’

De Palma’s ‘Carrie’: a simple story transformed into a visual masterpiece

Top Ten Brian De Palma Climaxes

De Palma’s ‘Snake Eyes’ is more than meets the eye

‘Femme Fatale’ is De Palma’s looniest neo-noir, and also his best

‘Body Double’ is an exploration, exaltation and condemnation of trash culture

‘Blow Out’ and ‘Blowup’: examining two masterpieces

De Palma’s ‘Carlito’s Way’ is a different kind of gangster film

New on Video: ‘Foreign Correspondent’

‘The Fury’ is Brian DePalma’s most-underrated movie

Without Theatres: ‘Silver Bullets’ a romance of werewolves and art

Brian De Palma’s ‘Carrie’ is nothing short of brilliant

De Palma’s ‘Passion’ is pulpy perfection

Cross Cultural Character Comparison: 1975 Carrie White and Chen Chih-Hung

NYFF 2012: ‘Passion’ is an awkward attempt at provocation

Unsung Gems – ‘Carlito’s Way’

Pyromaniacs: Hollywood’s Bad Boys

The CineManiac’s 31 Days of Horror – Day 5: The Fury

Why We Call Them Pigs: The Criterion Collection Presents ‘Sisters’

Tortured Overtures: Horror Film Score Themes of the 1970s