It’s not a particularly good sign that the end credits for A.C.O.D. are more revealing and poignant than the film preceding them. As the credits roll on one half of the screen, a montage of (presumably) the film’s crew members plays on the other half, as they identify as being either Adult Children of Divorce (hence the titular acronym) or not, defining when or if their parents split up, how, and why.
Some of this year’s Sundance comedy-dramas have had their narratives plucked from the wellspring of their director’s personal experience, though that should never excuse any shortcomings. Yesterday, I wrote a negative review of Francesca Gregorini’s treatment of motherhood in Emanuel and the Truth about Fishes. My primary beef was less with the inherent trauma at …
Maybe Tim Burton should stick to stop-motion animation from now on. Some of his most creative films, his biggest qualitative successes, haven’t been in live-action or overdosed on computer graphics. You may think of him as the director of Batman or of Beetlejuice, but Burton’s impact is most powerfully felt in the 1993 Disney film …
Frankenweenie Written by John August, story by Tim Burton and Leonard Ripps, based on Tim Burton’s short film Frankenweenie Directed by Tim Burton USA 2012 imdb A feature-length, black and white 3-D animated expansion of his original black and white live action short film, Frankenweenie is an amazing technical achievement by Tim Burton. The film looks fantastic and for …
Frankenweenie Directed by Tim Burton Written by John August USA, 2012 Tracking Tim Burton’s career path is watching a cliché come to life. The trajectory is as follows: a shy, awkward young man becomes a star by staying true to his idiosyncratic ideals, but over time, his most ardent fans are let down as his …