Christopher Abbott

Sundance 2015: ‘James White’ is an intimate portrait of desperation

The edge is where you find it. For James White, the jarring first feature from director Josh Mond, the edge is the only home he knows. Unrelenting and formless, Mond’s character study explores the toll that life can take if you aren’t paying attention. This isn’t a grand epic with plot twists and moments of self-revelation; just a story about a good son careening toward self-destruction. Simple, yet powerfully effective.

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