Dollhouse

Spending two hours in the world of Joss Whedon’s Much Ado About Nothing inspires envy in his seemingly palatial abode, as well as delight at his effortless, carefree adaptation of an equally effortless and carefree Shakespearean comedy. There’s mistaken identity, slapstick, swooning romance, and giddy farce, as you would expect from any revival, modern or otherwise.