The towering technical achievements and bravura sequences of ‘The Revenant’ are enough to warrant a visit to this grim wilderness
Ex Machina is a superior techno-thriller that asks a lot more questions than it’s willing to answer. Filmmakers have long exploited the dangers of artificial intelligence, but few have the courage to examine the hubris behind Man’s technological self-destruction. Alex Garland’s assured directorial debut showcases a patient filmmaker adept at world building. Like all good sci-fi films with big ideas and bold visuals, you’ll be thinking about Ex Machina long after you leave the theater.
Director John Michael McDonagh wastes no time in establishing the stakes of Calvary. In a darkened confessional, Father James Lavelle (Brendan Gleeson) is told that he is going to die in a week. The man planning to kill the priest explains it is exactly because Father Lavelle has done nothing wrong that he is going to die. Of the two McDonagh brothers, John Michael is known for his irreverent comedy The Guard, but with this latest release he joins the ranks of the most fatalistic of Irish artists.