Dallas Buyers Club is an important film. Not because it tackles AIDS or bigotry or pharmaceutical companies or preservatives, although it does all that and more. It’s important because it shows one man who manages to overcome a 30-days left to live prognosis and makes a positive difference, all the while still being a real jerk, to put it politely. Based off of a true story, the material could have easily fallen into a Lifetime movie or docu-drama or a redemption story, but instead Jean-Marc Vallée’s Dallas Buyers Club is a compelling film about a real antihero, an alcohol and drug-abusing, flaming heterosexual Texan who contracts H.I.V. and lives to help himself and those around him, in that order.
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