“…And the Beast From the Sea” is the series’ most stressful episode to date, surpassing the tense, but exciting battles between Jack and Hannibal and the tragic, but inevitable Red Dinner with a pulse-pounding central set-piece that sees the Dragon come for Molly and Walter.
Despite spending plenty of time with Will and Hannibal, “And the Woman Clothed with the Sun…” focuses on the women of Hannibal, fleshing out Molly and post-“Digestivo” Alana, resurrecting Abigail and Freddie, and introducing Reba McClane.
In 2009, New York Times book critic Michiko Kakutani referred to Philip Roth’s novella The Humbling as “an overstuffed short story, […] a slight, disposable work about an aging man’s efforts to grapple with time and loss and mortality, and the frustrations of getting old.” In 2015, that sentiment rings just as true of Barry Levinson’s adaptation of the same work. The Humbling runs too long, dawdles too much, makes hollow caricatures of its women, and muddles its intentions. Its most redeeming features are its performances; Al Pacino is in top form, with Greta Gerwig playfully keeping up. But neither can elevate this failed attempt at pathos above what it is: bland.
For a performer whose career was so short-lived, Janis Joplin has been hugely influential and such a largely contentious figure in the world of music. We’ve recently gotten a Jimi Hendrix biopic, along with music stories about everyone from the short lived (Ian Curtis, Jim Morrison, John Lennon) to the long-living legends (Johnny Cash, Ray …