Blindness is a difficult affliction to understand. By simply closing their eyes and walking around, people could easily comprehend the act of not being able to see, but they would probably be unable to grasp the loneliness and isolation that occurs when the world is permanently cast into darkness. With Blind, Eskil Vogt has provided viewers with a thorough exploration of a woman and the ailment that confines her to her apartment. His character study is immensely thoughtful, and it allows the viewer to immerse oneself in an unusual new world.
Kurdish-Norwegian director Hisham Zaman’s second feature is a well-observed ensemble piece, focusing on five refugees who are given the chance to visit Oslo for the day. They live comfortably in a nearby centre but their uncertain status restricts their freedom and makes them unable to move on with their lives. Each character’s individual story represents an attempt to make a clean break from their situation; they seek legitimacy and progress, in various forms, where it has otherwise been denied.
Hisham Zaman’s directorial debut opens with Siyar (Abdullah Taher), a 16-year-old boy from Kurdish Iraq, being wrapped from head to toe in cling film. He is preparing to submerge himself in an oil tanker in an attempt to illegally cross the border into Turkey, making for Istanbul where he believes his runaway sister, Nermin (Bahar Ozen), is hiding with her lover. She has escaped an arranged marriage, bringing dishonour to the family, and Siyar has accepted the responsibility of resolving the situation. He embarks on a dangerous journey, replete with perilous border crossings and unfamiliar environments, with the intention of killing Nermin and restoring his family to honour.