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  • Map to the Stars
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    TIFF 2014: ‘Maps to the Stars’ is a huge disappointment

    There’s something theatrical about this new version of Cronenberg. Not in the way we think of Stratford or Shaw. More like pseudo-artistic interpretive theatre that happens during one’s experimental phase in University. Maps to the Stars is a colossal disappointment, offering stilted performances, a disjointed and predominantly ineffectual script, and bewilderingly bad sound design. What appears on the surface to be an interesting dialogue on child stars, the vapid, all-consuming and destructive nature of celebrity, and the superficial nature of Los Angeles very quickly reveals itself to be something else altogether – the tired, lazy half-measures of an auteur riding on his own coattails. More

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    TIFF 2014: ‘Maps to the Stars’ never quite comes together

    Hollywood could easily be the perfect fantasy world of Cronenberg’s obsessions. The themes associated with body horror, from the fascination with decay to the battle between body and mind, are staples of the torrid extremes of Tinsel Town. In 2012, David Cronenberg’s son, Brandon, tackled these ideas with his feature debut Antiviral. That film explores a dystopian future in which the obsession with celebrity is taken to extremes of consumption. In Antiviral, the masses purchase meat grown from their favourite celebrity’s cells and head to a special clinic in order to be infected with the same venereal strain as their Hollywood Idol. The film externalizes the growing cultural obsession with fame, and concentrates that obsession through corporeality and sex. More

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    Telluride Film Festival 2014: Most Anticipated

    The Telluride Film Festival seemingly appears overnight against the gorgeous backdrop of rugged mountains. It lasts just four days but in fact it takes more than a month of intensive labor to transform the elementary school, high school, hockey rink, library, the park in the middle of town and a masonic temple into theaters. Now in its 41st […] More

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    Week in Review: Is Studio Ghibli closing?

    Could the magic that has come from films like Spirited Away, My Neighbor Totoro and Grave of the Fireflies be coming to an end? Thompson on Hollywood is reporting that Hayao Miyazaki’s Studio Ghibli may be closing its doors because the cost of making hand-drawn animated films with the attention to detail they include might […] More

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    ‘The Rover’ reinforces David Michod’s powerful filmmaking abilities.

    A dystopian future is a solid foundation of any interesting film. Bleak surroundings and despicable characters comprise these future worlds and their stories explore the very raw and basic instincts of man. Australian export The Rover is no exception and the results are pretty solid. The talented Guy Pearce turns in an intense, fully believable performance here and Robert Pattinson isn’t half bad in an unconventional role. More

  • Maps to the Stars - Mia Wasikowska
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    Cannes 2014: ‘Maps to the Stars’ the darkest comedy of Hollywood aspiration

    Los Angeles, the city that homes the superstars and studios responsible for mainstream cinema culture, has consistently received its due criticism from those who either reject it or work within it. Look no further than Thom Andersen’s nearly comprehensive Los Angeles Plays Itself to see the town utilized as an easy space for shooting, a battleground for the melodrama of the privileged, and home field for telling stories about the storytellers. The business-driven artistic culture that pervades the town has been satirized in Who Framed Roger Rabbit, The Player, and Barton Fink to the point that a simple update of finger-pointing to the 21st century may be seen as a rehashing. Bruce Wagner’s crazy script for David Cronenberg’s Maps to the Stars instead paints the town as a machine capable of rehashing through its own ghostly presence of the-machine-that-once-was: a cycle so foreboding that it must be spoken of through horror tropes. More

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    ‘The Rover’, the latest feature from David Michôd, releases a new trailer

    While already having numerous short films under his belt, filmmaker David Michôd made a big splash in 2010 with Animal Kingdom, his first directorial feature film, which he also wrote. Having also co-written Hesher, many people in the film community were interested to see where Michôd would go next, which led to excitement at the announcement […] More

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    TIFF Presents Canada’s Top Ten Screenings

    Toronto – On December 4th, TIFF saluted the best of Canadian Cinema at the 12th Annual Canada’s Top Ten industry event, hosted by Sarah Gadon (Cosmopolis, A Dangerous Method) and Don McKellar (Blindness, Trigger). A panel of industry professionals selected the top 10 Canadian feature and short films. TIFF Senior Programmer Steve Gravestock said that this […] More

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    ‘Cosmopolis’ would have got the readers of Wired jolly excited a dozen years ago but now feels like a period piece

    Cosmopolis Directed by David Cronenberg Written by David Cronenberg Canada / France, 2012 ‘I know this’  is a frequent mantra of many of the broadly stricken characters in David Cronenberg’s film Cosmopolis, his new adaptation of the 2003 novella by Dom Delillo, as a statement of fact it is as reliable and secure as this wildly uneven post-millennium study which feels at […] More

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    Too much of ‘Cosmopolis’ feels like lifeless posturing

    Cosmopolis Written for the screen and directed by David Cronenberg Canada/France/Portugal/Italy, 2012 Though dissimilar in regards to thematic or narrative content, Cosmopolis bears a noticeable similarity to David Cronenberg’s last film, A Dangerous Method, in that both are heavily packed with lengthy, slow-moving conversation sequences that are predominantly free of sound outside of the spoken […] More

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