When the term “opening night” is used in reference to a Broadway show or any type of theatre for that matter, it can evoke a nervous, edge of your seat feeling. Will the actors remember all their lines and cues? How will the press react? What will the audience think? Is it going to spark sold-out performances for the rest of its run? So when an episode of Smash titles itself “Opening Night” one can only hope it will be suspenseful and fill us (that tiny Smash audience that’s hanging on by the thinest piece of thread) with anxiety. But “Opening Night” completely fizzles out and lamely rests on plot lines Smash continues to rehash.