‘A Pigeon Sat on a Branch Reflecting on Existence’ Movie Review – is droll but despairing
The final part in Roy Andersson’s “trilogy about a being a human being”, A Pigeon Sat on a Branch Reflecting on Existence is a droll but despairing inquiry into the human condition. Its thirty-nine distinct vignettes, each infused with recurring characters and repeated jokes, consolidate into a rumination on the absurdity of life and potential consequences of human dispassion. The eponymous pigeon, the least impressive exhibit in a dreary museum, appears in the opening scene, studied by a man whose wife is waiting resignedly in the corner. Like all the characters in the film, they are in stasis, trapped by their inexplicable attachments, habits and routines, mere artifacts in the wunderkammer that is life.
