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Down to its score, ‘Halloween III’ is a rejection of the Michael Myers mythos

Down to its score, ‘Halloween III’ is a rejection of the Michael Myers mythos

Read More Down to its score, ‘Halloween III’ is a rejection of the Michael Myers mythosContinue

The music of ‘Bram Stoker’s Dracula’ makes for a gorgeous exploitation of the senses

The music of ‘Bram Stoker’s Dracula’ makes for a gorgeous exploitation of the senses

Read More The music of ‘Bram Stoker’s Dracula’ makes for a gorgeous exploitation of the sensesContinue

With Christopher Young’s fairy tale score, ‘Hellraiser’ withstands its otherwise dated qualities

With Christopher Young’s fairy tale score, ‘Hellraiser’ withstands its otherwise dated qualities

Read More With Christopher Young’s fairy tale score, ‘Hellraiser’ withstands its otherwise dated qualitiesContinue

Keegan DeWitt’s ‘Queen of Earth’ score is the sound of unsettling

Keegan DeWitt’s ‘Queen of Earth’ score is the sound of unsettling

Read More Keegan DeWitt’s ‘Queen of Earth’ score is the sound of unsettlingContinue

‘The Man From U.N.C.L.E’ could learn a thing or two from ‘Rogue Nation’s’ nostalgic score

‘The Man From U.N.C.L.E’ could learn a thing or two from ‘Rogue Nation’s’ nostalgic score

Read More ‘The Man From U.N.C.L.E’ could learn a thing or two from ‘Rogue Nation’s’ nostalgic scoreContinue

Repetition and degradation in the rhythms of ‘Whiplash’ and ‘Birdman’

Repetition and degradation in the rhythms of ‘Whiplash’ and ‘Birdman’

Read More Repetition and degradation in the rhythms of ‘Whiplash’ and ‘Birdman’Continue

Trent Reznor and Atticus Ross’s ‘Gone Girl’ serves its Midwestern claustrophobia chilled

Trent Reznor and Atticus Ross’s ‘Gone Girl’ serves its Midwestern claustrophobia chilled

Read More Trent Reznor and Atticus Ross’s ‘Gone Girl’ serves its Midwestern claustrophobia chilledContinue

Apart from its color palette, ‘The Giver’s’ only grey area is in Marco Beltrami’s music

Apart from its color palette, ‘The Giver’s’ only grey area is in Marco Beltrami’s music

Read More Apart from its color palette, ‘The Giver’s’ only grey area is in Marco Beltrami’s musicContinue

Great responsibility begets great abuse of power in Hans Zimmer and The Magnificent Six’s ‘The Amazing Spider-Man 2’

Great responsibility begets great abuse of power in Hans Zimmer and The Magnificent Six’s ‘The Amazing Spider-Man 2’

Read More Great responsibility begets great abuse of power in Hans Zimmer and The Magnificent Six’s ‘The Amazing Spider-Man 2’Continue

Something borrowed, something less than new in Alexandre Desplat’s ‘The Monuments Men’

Something borrowed, something less than new in Alexandre Desplat’s ‘The Monuments Men’

Read More Something borrowed, something less than new in Alexandre Desplat’s ‘The Monuments Men’Continue

Promo poster for CW3PR panel at SDCC 2013

SDCC 2013: Composers Discuss the Music Behind Your Favorite TV Shows

Read More SDCC 2013: Composers Discuss the Music Behind Your Favorite TV ShowsContinue

Iconography in Scoring: The Music of the Western

Iconography in Scoring: The Music of the Western

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‘Frankenweenie’ score feels like a composition that Elfman has always wanted to do

‘Frankenweenie’ score feels like a composition that Elfman has always wanted to do

Read More ‘Frankenweenie’ score feels like a composition that Elfman has always wanted to doContinue

“The King’s Speech” Score Review

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Hans Zimmer Talks Score for New Superman Film

Read More Hans Zimmer Talks Score for New Superman FilmContinue

The ‘Black Swan’ Score by Clint Mansell

Read More The ‘Black Swan’ Score by Clint MansellContinue

Clint Mansell, The Driving Force To The Score For “Faster”

Read More Clint Mansell, The Driving Force To The Score For “Faster”Continue

“127 Hours” rates above “Slumdog Millionaire”

Read More “127 Hours” rates above “Slumdog Millionaire”Continue

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