Score

Down to its score, ‘Halloween III’ is a rejection of the Michael Myers mythos

The music of ‘Bram Stoker’s Dracula’ makes for a gorgeous exploitation of the senses

With Christopher Young’s fairy tale score, ‘Hellraiser’ withstands its otherwise dated qualities

Keegan DeWitt’s ‘Queen of Earth’ score is the sound of unsettling

‘The Man From U.N.C.L.E’ could learn a thing or two from ‘Rogue Nation’s’ nostalgic score

Repetition and degradation in the rhythms of ‘Whiplash’ and ‘Birdman’

Trent Reznor and Atticus Ross’s ‘Gone Girl’ serves its Midwestern claustrophobia chilled

Apart from its color palette, ‘The Giver’s’ only grey area is in Marco Beltrami’s music

Great responsibility begets great abuse of power in Hans Zimmer and The Magnificent Six’s ‘The Amazing Spider-Man 2’

Something borrowed, something less than new in Alexandre Desplat’s ‘The Monuments Men’

SDCC 2013: Composers Discuss the Music Behind Your Favorite TV Shows

Iconography in Scoring: The Music of the Western

‘Frankenweenie’ score feels like a composition that Elfman has always wanted to do

“The King’s Speech” Score Review

Hans Zimmer Talks Score for New Superman Film

The ‘Black Swan’ Score by Clint Mansell

Clint Mansell, The Driving Force To The Score For “Faster”

“127 Hours” rates above “Slumdog Millionaire”