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SXSW 2012

SXSW 2012: ‘Pavilion’ a Van Sant-like look at childhood

SXSW 2012: ‘Pavilion’ a Van Sant-like look at childhood

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SXSW 2012: ‘V/H/S’ is a mixed bag, as with most horror anthologies

SXSW 2012: ‘V/H/S’ is a mixed bag, as with most horror anthologies

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SXSW 2012: ‘Compliance’ less a narrative than a descent into the depths of human weakness

SXSW 2012: ‘Compliance’ less a narrative than a descent into the depths of human weakness

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SXSW 2012: ‘Intruders’ is a bit too muddled and a bit too slight

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SXSW 2012: ‘John Dies at the End’ bracingly surreal and charming

SXSW 2012: ‘John Dies at the End’ bracingly surreal and charming

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SXSW 2012: ‘Sinister’ is skillfully shot and truly chilling

SXSW 2012: ‘Sinister’ is skillfully shot and truly chilling

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Brian Cassidy and Melanie Shatzky talk about bringing their film ‘Francine’ to life

Brian Cassidy and Melanie Shatzky talk about bringing their film ‘Francine’ to life

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A Conversation With David and Nathan Zellner about ‘Kid-Thing’

A Conversation With David and Nathan Zellner about ‘Kid-Thing’

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SXSW 2012: ‘Kid-Thing’ takes an anthropological approach to the coming-of-age tale

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SXSW 2012: ‘Wikileaks: Secrets and Lies’ a fine primer on a well-publicized controversy

SXSW 2012: ‘Wikileaks: Secrets and Lies’ a fine primer on a well-publicized controversy

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SXSW 2012 – 10 Most Anticipated Films

SXSW 2012 – 10 Most Anticipated Films

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SXSW 2012: Todd Rohal’s ‘Nature Calls’ and more added to line-up

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SXSW Midnighters Line-Up Announced

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