There’s a certain joy to be felt when discovering a new voice in film. Taking the risk to sit down in and watch a director’s first feature, witnessing how they grapple and contend with cinema. Each year, there are great debuts, to be sure, but in 2015, it seemed to me to be unusually strong …
Picking the best movies that come out in any given year is no easy feat. With over 800 movies released theatrically, there’s plenty to digest. As we reach the halfway point of the year, we decided to publish a list of our favourite movies thus far, in hopes that our readers can catch up on …
Picking the best movies that come out in any given year is no easy feat. With over 800 movies released theatrically, there’s plenty to digest. As we reach the halfway point of the year, we decided to publish a list of our favourite movies thus far, in hopes that our readers can catch up on …
Picking the best movies that come out in any given year is no easy feat. With over 800 movies released theatrically, there’s plenty to digest. As we reach the halfway point of the year, we decided to publish a list of our favourite movies thus far, in hopes that our readers can catch up on …
Once every few years a film comes along which immediately feels so original, vital and provocative that your preconceived expectations of the art-form are challenged. Whilst that inspiring instinct is invoked by The Tribe, it is also suppressed by the film’s unrelenting brutality, on both a physical and metaphorical level. The film charts the devastating experience of a serious minded youth, Sergey (Grigoriy Fesenko) ,who is assigned to a chilly and dilapidated boarding school. Falling under the sway of the institution’s gang, Sergey experiences a brutal hazing exercise and then becomes enmeshed with the school’s alpha delinquents, meddling in a mugging here and some narcotic abuse there, whilst the crew also conduct their own brutal protection racket and, rather more seriously, pimp out two young girls, Anna (Yana Novikova) and her friend (Rosa Babiy) to sexually service the nearby trucker community. This may sound like a somewhat conventional pathway for a serious and dour minded example of contemporary world cinema, but The Tribe has one fascinating ace up its sleeve – the boarding house is a school for the deaf and all the non-professional actors communicate only in sign language, the film yielding no consideration for audience comfort with no voiceover, no subtitles, and (quite frankly, as the plot gains traction) no mercy.