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‘John Flood’ #2 is a comedic adventure for good karma
Lucky Louie, Ep. 1.12, “Kim Moves Out”
Why You Should Start Watching: The Leftovers
‘Orphan Black’ and ‘Jane the Virgin’ stars among lead shortlist for ‘Star Wars: Episode VIII’
River Song set to return for ‘Doctor Who’ Christmas special
5 Female sidekicks who outshine their male leads
‘I Am Bread’: The Toast With The Most
Playing House, Ep. 2.06, “Kimmewah Cup”
Awkward., Ep. 5.01, “Prank Amateurs”
‘The Insect Woman’ reveals the dark underbelly of Japanese cinema
‘Angel and Faith’ #18 brings Drusilla back with a vengeance
Bill Murray explains why he decided to cameo in Paul Feig’s ‘Ghostbusters’
Completionism in TV’s Platinum Age: Why critics and fans need to start jumping in mid-series
Brick by Brick, The House Mario Built: The Super NES Days
Box Office Sabermetrics: Universal’s Year of Moneyball
Hiroshi Teshigahara and the Japanese New Wave
Videology: Gangster Nancy Sinatra’s Paradise Lost – Lana Del Rey’s ‘Tropico’
‘Gone Home’ is a high water mark for female representation in gaming
‘Mad Max: Fury Road’ and the Illusion of Progress
Joe Swanberg’s ‘Digging for Fire’ Movie Review
New on Video: ‘Two Days, One Night’
‘Hannibal’ could live on in movie form, creator says
‘Ultimate X-Men’ #7-9 is a black ops block party
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